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Noëlle Janaczewska is Sydney-based playwright, poet, essayist, and author of The Book of Thistles (UWA Publishing, 2017). Much of her work deals with history’s gaps and silences, focusing on people, plants, creatures and events overlooked or marginalised in official records. Noëlle’s work has been produced, broadcast and published locally and internationally, and in 2014 she received a Windham Campbell Prize from Yale University for her body of work as a dramatist.

In Australia, Noëlle’s plays have won a 2017 AWGIE (Australian Writers’ Guild Industry Excellence) Award for Community and Youth Theatre (Teacup in a Storm), a Queensland Premier’s Literary Award (Mrs Petrov’s Shoe), the Playbox-Asialink Playwriting Competition and the Griffin Award (Songket). Her audio works across drama and nonfiction have received eight AWGIE Awards. As well as an Asialink Literature Residency in Korea and Fellowships from the Australia Council, she has held the Eric Dark Fellowship (for literary nonfiction) from Varuna Writers’ Centre, and a University of Queensland Creative Fellowship. A graduate of Oxford and London Universities, with a doctorate from the University of Technology, Sydney, Noëlle continues her relationship with the University of Queensland as an Adjunct Professor in the School of Communication and Arts.

Recent works include: the Children’s Audio Tour for the Rome: City and Empire exhibition (National Museum of Australia and the British Museum, 2018); Seoul City Sue (ABC Radio National, 2018); Good With Maps (Siren Theatre Company, Edinburgh 2017, Sydney, 2016); Teacup in a Storm (The Q/Joan Sutherland Performing Arts Centre, Sydney, 2016); Dear Scott— (fortyfivedownstairs, Melbourne, 2015) and several other pieces protesting the Australian government’s treatment of refugees and asylum-seekers.

In 2006 Noëlle began presenting performance essays—a term she coined to describe a hybrid which draws not only on the essay and the monologue, but also on field reports, memoir, spoken word, cultural criticism, reportage and the tradition of the illustrated lecture. She has presented her performance essays in Indonesia and China as well as Australia. Blasted Island—Nauru’s backstory was part of the Sydney Opera House Festival of Dangerous Ideas (2014).

Noëlle is a member of 7-ON Playwrights. Their most recent collaboration, the immersive We are the Ghosts of the Future was produced in Sydney in 2015.

Noëlle has published in anthologies, literary journals and online magazines. Her chapbook-length poem Dorothy Lamour’s Life as a Phrasebook was published by Wayzgoose Press (Australia).

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